Perth’s Introverted, Introspective and innovative singer-songwriter, St South, is back with her second release of 2020, If It’s Not You featuring N.Y.C.K.
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Amyl and the Sniffers @ Factory Theatre 13/3
ARIA award winners Amyl and the Sniffers played in Marrickville, Sydney last Friday to a sold-out Factory Theatre.
Andy Golledge Namoi EP Review
Andy Golledge is an urban legend of Inner West Sydney, establishing himself through his country style and incredible live shows. Originally from Tamworth, his sound is a cross between Americana, roots country and Australian folk.
St. South - Does Your Brain Ever Get This Loud?
St. South who hails from Perth has just dropped her first release for 2020 - Does Your Brain Ever Get This Loud. It is a release that allows us to step inside the head of the 25 year old and experience her inner-most thoughts.
Review: Bo Jo Jones and the Great Lummox - Gods of the Gallows
Bo Jo Jones and the Great Lummox are back with a follow up to their debut single, Back in Time - Gods of the Gallows. The Lo-fi beats duo are once again employing sounds and production to create a cafe beats track seeks to find a shared space between laid back nineties hip hop and straight jazz.
Review: Dives - Infinite Bliss
From the surface it seems that 2019 has been a quiet year for Sydney producer - Dives. The project of Josh Pearson, released three songs in the last few years, which found themselves under the attention of both the music industry and music listeners alike.
Review: Bad and Bouj - Hp Boyz
If you are keeping an eye on the extremely dynamic nature that is the Aussie Hip Hop scene at the moment, then you have probably just started noticing Melbourne’s - Hp Boyz. They are Melbourne’s answer to Sydney’s recent obsession with Onefour.
EP Review: Sly Withers – Gravis
New from the Perth punk scene is Sly Withers, a four-piece consisting of dual frontmen Sam and Jono, bass-player Shea and drummer Joel. Drawing influences from the American Midwest emo/Philly punk/indie rock scene, the group aims to use Sly Withers as a platform to challenge standards and behaviours in the punk world.
One of my favourite things about the Hip Hop scene in Australia is the idea of inclusion and support. The bands scene is great but it is every person for themselves. Everyone wants to be Kevin Parker. Everyone wants to play Glastonbury.
Review: Mercury Fur
How far would you go to save the ones you love? This is the confronting core thematic question that Phillip Ridley’s Mercury Fur forces us to answer. Premiering in 2005 at the Plymouth Theatre Royal in London, Mercury Fur’s highly controversial and disturbing concepts prompted regular audience walk-outs during initial runs of the play, and it received thoroughly mixed reviews in its early days.
Review: SAMO Is Dead
While the creative process is often explored in works of theatre and performance, the elitism of the arts gets a direct dressing down in new play SAMO Is Dead.