From director Claudia Barrie comes the local production of Sarah Ruhl’s 2003 reworking of the ancient myth of Orpheus. Focusing instead on the titular Eurydice, Orpheus’s wife, the production is engaging but not all that compelling.
Read moreThe Dance of Death Review: (4.5 Stars)
Belvoir Street Theatre’s 2018 Season goes out with a bang with their final performance of the year: The Dance of Death, an absurdist masterpiece originally written by August Strindberg in 1900, has been brilliantly restaged with outstanding performances from Colin Friels (Edgar), Pamela Rabe (Alice) and Toby Schmitz (Kurt).
Read moreIn Waiting Review: (1/5 Stars)
Writer and director Luivi Monsted’s newest production In Waiting is a cheap knock off of the Jean-Paul Sartre’s absurdist classic No Exit with a lot of the same problems as the teen Netflix series 13 Reasons Why. The play is uninteresting and disengaging to watch and is very problematic for multiple reasons. For those struggling with mental health issues, I would strongly suggest that you avoid this play.
Read moreA Midnight Visit Review: (3.5/5 Stars)
An ambitious new immersive show from director Danielle Harvey is an exciting addition to the Sydney scene. A Midnight Visit may be something that Sydney audiences have never seen before, but it is undoubtedly something that every theatre goer should add to their calendar.
Read moreReview: Pinocchio by Little Eggs Collective
There was a lot of hype surrounding Little Eggs Collective’s new show Pinocchio at the Sydney Fringe Festival and it absolutely lived up to those expectations. The show was a testament to the full capabilities that can be achieved through the Sydney Fringe Festival and certainly set the bar high for other creatives.
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